Believe it or not, we here at Pop Culture Has Aids are slightly lazy, and we also like to take pleasure in others’ misfortune. And with a year full of plenty of potential pop culture disasters a-comin’, our noses are quivering with the scent of easy articles. So, in addition to frilly man-thongs and bottles of Malort, here’s what I’d like Santa to leave under my tree tomorrow.
Tag Archives: Kanye West
Thronewatching: Jay-Z and Kanye Come to Chicago
Last night the traveling road show/exercise in megalomania/last gasp of arena-concert relevance that is the Watch the Throne tour rolled into Kanye West’s hometown. Could the two most famous rappers alive justify the hype?
The Dilemma watched the throne, and reports on it after the break.
Filed under Music Has AIDS, The Dilemma
The Five Most Interesting Things About Watch the Throne
1. They Didn’t Phone It In
Anytime Jay-Z enters into a much-hyped collaboration, apathy and disaster are both distinct possibilities. And Lord knows Jay and Kanye West didn’t need to put maximum effort into Watch the Throne. They’re the two most famous rappers alive, they have an intriguing backstory together, and they’re both still creatively viable. They could have slapped their names on Metal Machine Music and it would have sold.
And the two tracks released in advance of the album weren’t filled with promise. “H.A.M.” is personality-free and generic. Meanwhile, “Otis” is fun but “Try A Little Tenderness” does all the heavy lifting. There’s a difference between sampling and just playing an entire song while rapping over it.
Luckily, the full album doesn’t follow suit. Jay-Z and Kanye take chances and they sound fully engaged. Jay, in particular, sounds more energized that he has on his recent solo work, as his verses play with different cadences and rhythms. The background tracks are more interesting than standard beat-and-a-hook modern hip hop, and it’s easy to tell that studio time was devoted to getting these songs to sound cool. Check out opener “No Church in the Wild” for its slinky, slightly sinister vibe.
Meanwhile, “Niggas in Paris” creeps along like something off The Chronic, and few if any songs are unworthy of examination. As Fluxblog posits, the duo’s adventurousness is likely due to Kanye’s influence. Kanye has always been more willing to take chances than Jay-Z, and that spirit of experimentation seems to have won the day on Throne.
It’s too early to say exactly how good Watch the Throne is, but it’s good, and the effort put into its creation shows.
Filed under Music Has AIDS, The Dilemma

